Director: Del Surjik Cast: Kirsten Robek, Lee Taylor, Christopher Weddell, Angela Quiring
Choreography: Barbara Bourget Music Director and Arrangements: Lyndon Surjik Set Designer: Nicole Dextras Costume Designer: Sabrina Di Maio Lighting Designer: Del Surjik Associate Lighting Designer: Shannon Frederickson Slide Designer: Noah Drew Stage Manager: Claire Nicol Apprentice Stage Manager: Jennifer Jones Slide Operator: Tod Ingram Sound Operator: Jeff Harrison Head LX/LX Operator: David Freylinger Production Manager: James Pollard ___
Playwright: Michel Garneau Translated by: Linda Gaboriau
Director: Del Surjik Photographer: Tim Matheson ___
Jessie Richardson Award Nominations: Outstanding Production, Pink Ink Outstanding Set Design, Andreas Kahre ___
a review from our archives...
PINK INK'S SURJIK LIGHTS UP KITSILANO THEATRE SCENE By Jennifer Van Evra
Sometimes the ad business can seem like a war zone. The competition is fierce, the stakes are high and the blood pressure levels stratospheric. Those in the industry with a mind for business invariably clash with the creative types they rely upon, while those same...
What happens when a member of the 1890s French Aristocracy takes in a girl who was brought up by pigs... and tries to turn her into a housemaid ?
Find out in Michael Mackenzie's The Baroness and the Pig. ___
Director: Sandhano Schultze Cast: Diane Brown, Tabitha St. Germain Set Designer: Camille Tseng Costume Designer: Mara Gottler Lighting Designer: Del Surjik Music & Graphic Designer: Andreas Kahre Slide Designer: Tim Matheson Stage Manager: Jessica Chambers Apprentice Stage Manager: Bev Walker Technical Director: George Scott ___
Disposing of the Dead is Katherine Schlemmer's modern horror based on the true story of the 1924 murder of Janet Smith, a young Scottish nanny employed by the wealthy Baker family. Initially thought to be a suicide, the woman’s death at Baker’s Shaughnessy home was later discovered to be a gruesome murder that shocked citizens of Vancouver.
Director: Sandhano Schultze and Wayne Specht Cast: Marya Delver, Kathleen Duborg, David L Gordon, John James Hong, Haig Sutherland, and David Rimmer Assistant Director: Shauna Janssen Dramaturge: John Lazarus Compose/Sound...
Playwright: Michel Marc Bouchard Translated by: Linda Gaboriau
Co-production with Arts Club Theatre and Touchstone Theatre
Directors: Sandhano Schultze and Roy Surette
Jessie Richardson Awards: Outstanding Production - Pink Ink, Touchstone, & Arts Club Outstanding Performance (lead) - Allan Morgan Outstanding Performance (supporting) - John Moffat Outstanding Costume Design - Barbara Clayden Outstanding Direction - Sandhano Schultze & Roy Surette Outstanding Body of Work (Design) - Robert Gardiner for A Live Bird In Its Jaws (set/lighting) & Lilies (set) ___
Playwright: Paula Vogel Director: Sandhano Schultze
a review from our archives...
GREAT, JUST GREAT
THE BALTIMORE WALTZ By Colin Smith
Even if you fight with your boyfriend in Paris, you still get to go up the Eiffel tower, right? Most trips have their rough spots, but they shouldn’t blind you to the penultimate value of travel. That’s what this production of The Baltimore Waltz is like – bumpy, but worth the ride.
The Baltimore Waltz is, as it happens, about a European tour taken by a woman named Anna and her brother, Carl. Anna is dying of ATD (Acquired Toilet Disease), a new scourge...
Lepage’s Polygraph Plays with Our Notions of Truth and Theatre
BY COLIN THOMAS
Sandhano Schultze, artistic director of Pink Ink Theatre, and Roger Gaudet, artistic director of Théâtre la Seizième, must be feeling like God’s chosen messengers these days. After all, Robert Lepage (The Dragon’s Trilogy, Vinci, Tectonic Plates) has assumed godlike status both in his native Quebec and in the international theatre community; and Schultze...